Electa is pleased to present #puntoeacapo, a collection of short digital stories –for the moment “filmed” from home – by writers, curators, creatives, editors and those working with the publisher, all sharing their different perspectives and activities. They will talk about books, exhibitions and the languages of art, from publishing to architecture, passing via museum bookshops.

The #puntoeacapo social feature of stories and accounts continuesthe Art and illustrated publishing experience through the faces and voices of curators, museum directors, archaeologists, art critics, artists, architects and designers. Born during the “lockdown” weeks, #puntoeacapo starts with Electa pondering its journey as a publisher and its role flanking museums. As we mark 75 years in publishing, we have started thinking about the Electa of today and of the future with many questions and some constants (old and new).

The first series of videos responds to a desire to revisit the#patrimonioitalia and rethink our cultural identity and past by conducting a Grand Tour through books, exhibitions, memories and emotions as we look to the future.

Even today 120 million children around the world do not receive a basic education, and more than half of them are girls. Without the chance to study it is impossible to imagine a future, without adequate quality education there are no opportunities to build a better and more secure life.

The right to an education is even more at risk in countries like Ethiopia, where almost 30 million people live below the poverty line and 30.4% of children under the age of 5 suffer from malnutrition. Too many boys and girls (70%) are obliged to leave education after primary school in order to help their families by working in the fields and because of a lack of the right kind of support.

This is why, for Christmas, ActionAid together with Mondadori, Einaudi, Rizzoli, Piemme, Sperling&Kupfer, Mondadori Electa and Fabbri Editori have come together to face an important challenge: to guarantee the right to education for 1,800 boys and girls in the Raya Azebo of Ethiopia, one of the places in the world where the provision of primary education is most urgent, and an area that is frequently without access to drinking water and adequate sanitation.

“Going to school in Ethiopia and being able to complete studies with quality education is a right that is denied to too many children especially girls. To able to work alongside a partner like Mondadori is to receive the kind of fundamental support that will make it possible to realise the dreams of 1,800 children who have neither classrooms, nor books or materials. Thanks to the contribution of the publishing houses of the Group we will be able to build two new schools, provide electricity, drinking water and sanitation, support teacher training and build awareness in the local community of the importance of educating girls, in one of the poorest regions of the country,” declared Marco De Ponte, Secretary General of ActionAid.

The importance of an education worthy of the name – that is equal, inclusive and accessible to everyone – is an absolute priority for the Mondadori Group: indeed, it is part of a profound sense among the people who work in the company that it is a natural and fundamental element of our traditions and history as a company” declared Enrico Selva Coddè, Chief Executive of the Trade Area of Mondadori Books. “This initiative allows our publishing houses to go further and engage in a concrete and inclusive solidarity project that will benefit one of the areas of the world in which the need is most urgent. Being able to work alongside a partner like ActionAid is a guarantee for us of the seriousness of our joint commitment” concluded Enrico Selva Coddè.

The project

Most of the schools in the Raya Azebo district have wooden frames and mud walls. And due to the lack of separate toilet facilities for boys and girls, it is impossible for girls to go to school during their menstrual cycle. Such frequent absence from lessons consequently leads to poor results and even abandoning school altogether.

With the “Insieme per l’istruzione” (Together for Education) project, ActionAid and the publishing houses of the Mondadori Group will create a safe school environment for 1,800 children, half of them girls, in the primary schools of the Barie Woyane and Hawulti communities. During 2020 two school buildings, each with four classrooms, a library and separate toilet facilities for girls, will be completed. Also teaching materials and classroom furniture will be provided, along with support for girls and initiatives to improve school governance, with the increased involvement of the local communities.

The progress of the project in Ethiopia can be followed on the web site: insiemeperlistruzione.it.

With this initiative, ActionAid and the publishing houses of the Mondadori Group are committed to the shared support of the fourth of the Sustainable Objectives set by the United Nations for 2030.

ActionAid for schools

Over the last year we have ensured and improved access to free, safe and quality education for boys and girls in around 5,000 schools in 25 countries. We have also involved over 400,000 parents, teachers and students in activities aimed at preventing and combatting the early abandonment of school.

The Mondadori Group for education

We are a publishing house with over 100 years of history. Thanks to our strong links with authors and readers we are acutely aware of our responsibilities, also to civil society. There is no doubt that the right to quality education and information is an essential prerequisite for the development and growth of a country. Consequently, the active promotion, in Italy and around the world, of a culture that is accessible to all, is a central part of our mission and one of the principles of the Group’s sustainability policy.

What ActionAid does

ActionAid is an independent international organisation operating in Italy and in 44 other countries. It collaborates with more than 10,000 partners, alliances, NGOs and social movements to combat poverty and social injustice. For over 40 years ActionAid has been working alongside the poorest and most marginalised people and communities, supporting them in the knowledge that it is only through collective efforts in support of solidarity and justice that real social change can be generated. A fair and equal world for all: this is the vision that inspires ActionAid and provides its strength. In order to transform this vision of the world into concrete reality, ActionAid has adopted a specific mission for the next 10 years: to work for the promotion and adoption of democratic participation and to involve people and communities in the protection of their rights, and to collaborate, at a local, national and international level, for the realisation of change and the spread of social equality, improving the quality of democracy and consequently supporting those who live in situations of poverty and marginalisation.

From this month all new eBooks from the publishing houses of the Mondadori Group– Mondadori, Rizzoli, Einaudi, Piemme, Sperling & Kupfer e Mondadori Electa – will be published in the new ePub3 format.

The Mondadori Group is the first Italian publisher to adopt the most recent international standard for all new digital publications, confirming its commitment to the development of digital publishing and the innovations demanded by the market.

The updating project was completed after a detailed analysis of the new format aimed at further improving the reading experience to make it more inclusive. In fact, the technical specifications of ePub3 make it possible to produce eBook with improved accessibility and graphics.

The new format facilitates the publication of digital text with a higher level of accessibility thanks to more precise metadata, content marking and image description, giving the visually impaired a much wider range of books that can be used with adaptive technologies, such as special keyboards and voice-overs.

This is a continuation of the Mondadori Group’s commitment to extend access to reading for people with sight impairments, to which the company has always paid special attention, also through collaboration with institutions such as the Fondazione LIA and the Fondazione Paideia on ambitious inclusion projects, such as the catalogue of accessible Italian books (https://catalogo.fondazionelia.org) and the digital books in AAC (Augmentative and Alternative Communication ) project ILIBRIPERTUTTI (https://www.ilibripertutti.it).

Entirely retro-compatible with all reading devices and apps, the ePub3 format will also make it possible to more easily produce books with complex graphics and augmented features, such as multi-media, interactivity and animations.

The Mondadori Group is the market leader in trade books with a total market share of 25.7%. Since 2010 Group has published the majority of its editorial products also as eBooks, with a catalogue of around 20,000 titles.

In sort of triptych that includes the previous experiences at the Art Biennales of 2013 and 2015, the Holy See takes part for the first time this year in the Venice Architecture Biennale, through the creation of the Vatican Chapels Pavilion curated by Francesco Dal Co.

The project takes its cue from a precise model, the Woodland Chapel built in 1920 by the renowned architect Gunnar Asplund at the Woodland Cemetery in Stockholm, a work featured in an initial exhibition space, illustrated with original drawings of the project.

The theme of the chapel as a place of orientation, encounter, mediation and salutation – as Asplund put it – was suggested to ten architects who were invited to design and build ten chapels in a wooded area at one end of the Venetian island of San Giorgio Maggiore. Therefore this will be a composite, distributed pavilion, visited in stages along an itinerary that is also a spiritual pilgrimage. The chapels created by the architects, thanks to the indispensable support of important contractors and contributors, will be arranged in “an utterly abstract natural setting, marked only by its presence on the lagoon, its openness to the water,” as Dal Co explains, emphasizing the unique, original character of the initiative that has granted the architects complete freedom to design “without any reference to commonly recognized canons.” Inside the chapels, the shared fulcrum and identifying, unifying feature is represented by the presence of the altar and the lectern.

The choice of the invited architects was based on the decision to focus on designers capable of applying different expressive languages, all strong characters from the standpoint of constructive experimentation, belonging to different generations and hailing from Europe, Australia, Japan, the United States and South America, in order to reflect the universal – indeed  “catholic” – nature of the Church.

The architects who have designed the ten chapels and the exhibition space of Vatican chapels are: Andrew Berman (USA), Francesco Cellini (Italy), Javier Corvalàn (Paraguay), Eva Prats and Ricardo Flores (Spain), Norman Foster (UK), Terunobu Fujimori (Japan), Sean Godsell (Australia), Carla Juaçaba (Brazil), Smiljan Radic (Chile), Eduardo Souto de Moura (Portugal), while Francesco Magnani and Traudy Pelzel are the designers of the pavilion that will contain the exhibition of the drawings of Gunnar Asplund for the “Skogskapellet,” the “Woodland Chapel” in Stockholm.

The opening of the Pavilion, with the presence of Cardinal Ravasi, will be on Friday 25 May in the gardens of the Island of San Giorgio in Venice. The Pavilion will remain open to the public from 26 May to 25 November 2018.

The catalogue edited by Francesco Dal Co, with essays by Gianfranco Ravasi, Francesco Dal Co and Elisabetta Molteni, published by Electaarchitettura, will be available from 23 May.

The publishing houses of the Mondadori Group are launching the Millennial Editor project for talented under 30s who dream of becoming  book editors.
An innovative and unprecedented programme, aimed at graduates in the humanities and economics, through which the Mondadori Group offers millennials with a consuming passion for books and reading a unique opportunity to enter the publishing world.

Einaudi, Electa, Mondadori, Piemme, Rizzoli, Sperling & Kupfer, Mondadori Education and Rizzoli Education, through a selection process in various stages, will identify eight young talents who will be guaranteed a period of two years of work and training as an editor with an apprenticeship contract.

The candidates selected will pursue a path during which they will be required to measure themselves against the activities of the various publishing areas and participate in training sessions with highly experienced professionals of the Group’s various publishing houses.
An all-round opportunity to learn the profession of editor, not only the specific aspects of publishing, but also the institutional, technical and managerial sides, interacting and collaborating with all of the protagonists involved in the book chain, starting from authors and senior editors. Each participant will develop the key skills necessary to face the challenges of a continuously evolving market.

The Millennial Editor project is developed in collaboration with Monster Italia, a highly specialised company in personnel research, and the technical partner in the recruitment phase.
You can submit your application from today, to this link.
After an initial selection based on qualifications and experience, in the second half of March suitable candidates will take part in an Edithon, a one-day event at Palazzo Mondadori during which they will meet the leading figures involved in the  project and, after being divided into work groups, will have the opportunity to put themselves to the test.
By the end of April, the eight young talents selected will be allocated, according to their characteristics and inclinations, to one of the areas, i.e. non-fiction, miscellaneous, fiction or educational of the publishing houses involved: Einaudi, Electa, Mondadori, Piemme, Rizzoli, Sperling & Kupfer, Mondadori Education and Rizzoli Education.

From 17 October 2017 to 18 February 2018, Palazzo Reale in Milan celebrates Henri de Toulouse-Lautrec (1864-1901) in a major exhibition detailing the whole of his artistic career and his extraordinary modernity.

The exhibition, curated by Danièle Devynck (director of the Toulouse-Lautrec Museum in Albi) and Claudia Zevi, is promoted and presented by the Cultural Department of the Milan Municipal Council, Palazzo Reale, Giunti Arte Mostre Musei and Electa, together with the Musée Toulouse-Lautrec in Albi and the Institut National d’Histoire de l’Art (INHA) in Paris.

Organised in themed sections, the exhibition helps visitors grasp the full extent of Lautrec’s vision and his role in the history of art as, despite never belonging to any school, he constructed a new, and extremely provocative, realism, a superlative synthesis of colour, shape and movement.

Despite his aristocratic background, Lautrec chronicled the slums and brothels of Paris and here the evolution of his style is traced in each and every phase of his development, in his paintings and his sketches, with a particular emphasis on his profound knowledge of Japanese prints and his passion for photography.

The exhibition comprises over 250 works by Toulouse-Lautrec, with 35 paintings on display, in addition to lithographs, etchings and his complete series of 22 posters, from the Musée Toulouse-Lautrec in Albi, other major museums and international collections and a number of private collections.

The Mondadori Group has chosen the summer solstice to inaugurate the permanent artistic restoration of the illumination of Palazzo Mondadori, the building designed by Oscar Niemeyer.

An important renovation project on an iconic example of contemporary architecture, at both the national and international level, with which the Mondadori Group wants to celebrate 100 years of history.

“In recent years, the Mondadori Group has changed, embarking on a new solidity with new prospects, by focusing on the “fundamentals”, the activities related to the publishing of books and magazines, in both traditional and digital forms. And I like to seen an analogy in this capacity to innovate, without forgetting our roots, with the building that Niemeyer designed for Mondadori,” underlined Ernesto Mauri, chief executive of the Mondadori Group, “and that everyday surprises us by its visionary modernity, comprised of solid and traditional architectural elements that are in harmony with extraordinarily creative forms; an architecture that is new each time we look at it, but is, at the same time, history, and, with this new feature, increasingly the future.”

THE NEW PERMANENT ILLUMINATION

The building, which is owned by Gruppo Generali and has been the headquarters of the Mondadori Group since 1975, was built according to three fundamental Vitruvian principles as a way of providing large working spaces for a business that is a symbol of Italian excellence, Mondadori (utilitas or utility): a building constructed on water and on the earth, with strong and solid pillars (firmitas or durability) with a suspended body for the work areas; and, above all, a building with the capacity to express a beauty that aspires to the sublime (venustas or beauty and delight).

Thanks to the permanent illumination designed by the master of light Mario Nanni, the Palazzo Mondadori will be seen in a new light, an intense narrative able to express the life of the building and the structure of its arches.

Mario Nanni has designed a total work that brings together light, cinema, music and publishing; a work dedicated to the daytime and the night-time, for a day-to-day homage to life, thought and beauty. A work for both those who work in the building and those who will see it only from a distance: a work for everyone.

THE BOOK IL PALAZZO MONDADORI

Mondadori’s 110^th anniversary and the realisation of the permanent artistic restoration of the illumination of Palazzo Mondadori, also offer the perfect occasion to present – with the words of Professor Francesco Dal Co, editor of CASABELLA – a new edition of the book Oscar Niemeyer. Il Palazzo Mondadori, by Roberto Dulio (Electa).

The book, which has been completely re-designed since the first 2007 edition, published to mark Mondadori’s 100^th anniversary, retraces the story of the conception and construction of the company’s headquarters between 1968 and 1975: a precise and accurate study that aims to reconstruct the commissioning of the building to the Brazilian architect who went on to place it within a broader cultural context.

«The Palazzo Mondadori is the son of Itamaraty, the Foreign Ministry building completed by Niemeyer in Brasilia in 1964, and much admired by Giorgio Mondadori. The light of the arches of Itamaraty is the same; whereas in the Palazzo Mondadori it varies: a monument in one, a “symphony” in the other, commented Professor Francesco Dal Co, editor of Casabella. Moreover, in the Palazzo Mondadori the floors hang to the cover and float on empty space. But if Niemeyer completed in Milan an exploit that he had only touched upon in Brasilia, this is also due to the companies that produced the special materials used in its construction and the Italian engineers that calculated the static.»

Oscar Niemeyer. Il Palazzo Mondadori includes documents, original and unseen sketches by Niemeyer, plans, photographs of the site and the completed building, as well as a photographic campaign by Gabriele Basilico and a more recent one by Roland Halbe, made after the restoration of the building, that make it possible to retrace the various steps that led to the realisation of the building in a philological, visually enthralling and engaging manner, not only for fans of contemporary architecture, but also for normal readers.

THE INAUGURATION

The new lighting project for Palazzo Mondadori will be presented this evening after sunset with “Sospeso, leggero ma non troppo”, a poem of light dedicated to all those, staff and collaborators,  who work everyday inside this iconic construction.

A story in light and music that will transform Palazzo Mondadori into a canvas on which the illumination will depict the passage of time and offering a new interpretation of its architecture in the night-time. To ensure that real architecture enthusiasts – and others, too – won’t miss the show, the event will be broadcast live this evening on the Mondadori Group’s Facebook page.

«Faced with a monumental building, made of imposing material and with an historical existence, necessarily requires study, respect and listening to the place. A syncretic intervention of high symbolic value which, comprising architecture and landscape, solar phases and chronobiology, brings you up against the infinite rules of natural light through a background that generates light and shadow, that celebrates the beauty of the complex, even after sunset, and making it eternal,» said Mario Nanni.

The twenty-three pillars of the facade will be matched by as many minutes, plus one, the twenty-fourth vertical element that completes the rhythmic composition of the building. The meridian light will caress the building like the page of a book, in a composition that brings together different and complementary knowledge, reaching out beyond time, paying homage to the beauty of the Palazzo Mondadori.

The dialogue between architecture, light, water and fire will last for a total of thirty minutes: twenty-four minutes of poetry, followed by a pause of six minutes, during which the light will stay on to enhance the architecture as a whole, in the magic of the night.

«The choice of the summer solstice to inaugurate my work of light is because it is a special night,” – explains Mario Nanni – “indeed, it is the shortest night of the year, in which we enter the sign of Cancer, whose constellation, during the presentation of the project, will become a great fire that will illuminate the night, with a unique and unrepeatable image of the building,» Nanni concludes.

Opening on 7 June 2017, the Amori Divini (Divine loves) exhibition is curated by Anna Anguissola and Carmela Capaldi, with Luigi Gallo and Valeria Sampaolo. It is promoted by the Ministry of Cultural Heritage and Activities and Tourism and by the National Archaeological Museum of Naples, organised by Electa.
The exhibition offers a journey into the world of Greek myth and into the changing fortunes of stories with two narrative ingredients: seduction and transformation.
It includes more than 20 paintings and sculptures, with a particular focus on those from the sixteenth and seventeenth centuries. Artists such as Baccio Bandinelli, Bartolomeo Ammannati, Nicolas Poussin, Giambattista Tiepolo and many others allow us to follow the fortunes of Greek legends through to much more recent times, but also to understand the role played by ancient images and literary sources in this tradition.

With the Amori Divini exhibition, on the initiative of Paolo Giulierini, the National Archaeological Museum is continuing an exhibition programme, promoted together with the Archaeological Site of Pompeii, that examines the relations and trade between Pompeii, the Roman world, and the ancient Mediterranean. Until 27 November 2017 it will be possible to visit the Pompei e i greci (Pompeii and the Greeks) exhibition in the Large Palaestra in Pompeii.
Amori Divini is accompanied by a catalogue that retraces and examines the key issues of the exhibition, with both theoretical essays on the function and significance of the myths of love and transformation in the Graeco-Roman world, and analyses of the individual mythological subjects and settings the works on display come from. The items of show are examined in detailed entries drafted by experts in the field.

Running from April 13 to September 17, 2017, the exhibition NEW YORK NEW YORK. Italian Art: Rediscovering America is curated by Francesco Tedeschi with Francesca Pola and Federica Boragina, sponsored by the City of Milan – Culture, Museo del Novecento and Intesa Sanpaolo – Gallerie d’Italia, in partnership with the publishing house Electa.

The exhibition unfolds between the two museums and presents, through more than 150 works, the stories of Italian artists who traveled, stayed, worked and exhibited in the United States, particularly New York, or just imagined the New World, all seeking a freer spirit and different models from old Europe.

The Museo del Novecento presents the American imagination and above all the intense relationship with the city of New York, as it was perceived by Italian artists, with works by Afro, Paolo Baratella, Corrado Cagli, Pietro Consagra, Giorgio De Chirico, Fortunato Depero, Tano Festa, Lucio Fontana, Emilio Isgrò, Sergio Lombardo, Titina Maselli, Costantino Nivola, Gastone Novelli, Vinicio Paladini, Arnaldo Pomodoro, Mimmo Rotella, Alberto Savinio, Toti Scialoja, Tancredi, Giulio Turcato. A separate section is devoted to Ugo Mulas’s photographs of New York and American artists.

The Gallerie d’Italia in Piazza Scala, Intesa Sanpaolo’s museum premises in Milan, will present a broad reconstruction of relations with American institutions, galleries and collectors, who have enhanced the Italian artistic presence in the United States.

Starting from the exhibition Twentieth-Century Italian Art, presented in 1949 at the Museum of Modern Art in New York, the Gallerie d’Italia is featuring masterpieces by Umberto Boccioni, Giacomo Balla, Carlo Carrà, Giorgio Morandi, Massimo Campigli, Marino Marini, Virgilio Guidi, Renato Guttuso, Fausto Pirandello, Armando Pizzinato, Alberto Viani, and continues with works by artists of the fifties and sixties such as Carla Accardi, Afro, Gianfranco Baruchello, Enrico Baj, Alberto Burri, Giuseppe Capogrossi, Alik Cavaliere, Ettore Colla, Pietro Consagra, Piero Dorazio, Domenico Gnoli, Lucio Fontana, Pino Pascali, Achille Perilli, Michelangelo Pistoletto, Arnaldo Pomodoro, Mimmo Rotella, Giuseppe Santomaso, Mario Schifano, Francesco Somaini, Toti Scialoja and Emilio Vedova.